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Something to linger in the mind...

1 = Utter shite.    2 = Watchable, just.    3 = Good entertainment.    4 = Highly recommended.    5 = Sheer class.

Rocky  Definitive Edition  Feb 10  DVD

After the relative surprise that was Rocky Balboa, I was more than tempted when I saw the original Oscar winning film had been re-released on DVD.  A classic tale of one man’s quest to realise his dreams, get the girl and become the victor has a young but beefy Sylvester Stallone as the eponymous Rocky Balboa, a charming, somewhat dim-witted amateur fighter mixing up un-flattering bouts in the ring against nobodies, with undermining work as a petty thug getting money off strays for a loan shark.  His mentor Mickey (the brilliant Burgess Meredith) see’s much potential in him, but its not until heavy weight champ Apollo Creed (an over the top but memorable Carl Whethers) challenges him to a fight, that Mickey jumps at the chance to reclaim his own glory days by making someone a real contender.  Stallone’s on-screen chemistry with love-interest Adrian (a subtle and believable Talia Shire) is both moving and  wholly real, and his plight to become a fighter is also heart breaking for her and a challenge to their growing love for each other.  It’s therefore no surprise why this did well at the 1976 Oscars, as it hits all the right notes of what a good night at the movies is all about.

 

This DVD re-release has a sharp picture and good quality sound (even if some of the colours seem over-stated), and we get two commentaries, one with the Director, Producer and Stallone himself (a worthy listen) and a ton of documentaries telling the story of the production and the legacy of the Rocky franchise as a whole.  Well worth getting if you’re a fan.

 

Verdict:  4 /5

 

 

Pretty Persuasion  Feb 03  DVD

Actress Evan Rachel Wood is definitely becoming one of the best younger stars around, even if some of her output seems a little familiar.  I first noticed this talented girl in the powerful and memorable teen angst drama Thirteen.  Anyone who has seen that will agree she was brilliant in it.  This more recent high school bitch drama sees her as a manipulative and far less sympathetically portrayed high school rich kid who twists boys and girls around her little finger to get what she wants - be it treating boyfriends like objects or inciting her friends to join her in accusing the slightly too familiar for his own good teacher, of sexual harassment.  This plays very much like other high school hit Mean Girls, but in a much more realistic way and is edgier and a bit more explicit in tone.  Evan of course steals the show, but ex-Ali McBeal actress Jane Krakowski is also on fine form as a Lesbian TV Reporter out for all the dirt.  Worth seeing.

 

Verdict:  3 /5
 
 

Hard Candy  Jan 30 2007  DVD

This was bound to be controversial.  Any film attempting the subject of paedophilia is going to be hit in the face with a brick – no matter the quality.  So this one is even braver to tackle the subject in such a powerful and emotionally-scarring way.  With a mostly unknown cast of primarily two, a teenage girl & a smart dressing, sophisticated man, who meet creepily over the internet in the opening moments, the stage is set for a very uncomfortable 90 minutes where nothing is exactly what it seems.  The teenage actress (newcomer Ellen Page) is startlingly believable as the wide eyed girl who seems in a hurry to discover all the trappings of adulthood even though she’s only fourteen.  The actor playing the sleazy but charming photographer (Patrick Wilson) who is attracted to the girl is equally as disturbing and somewhat vulnerable when things take a dangerous twist half way through.  I found this one compares a bit to the Stephen King classic Misery, and is even more shocking at times, yet I also came away wondering exactly what the point was apart from making a film that would scare wannabe paedophiles shitless.

 

Verdict:  2 /5

 

 

Rocky Balboa  Jan 17 2007  Cinema  (advanced preview)

I haven’t watched a Rocky film in years.  That’s not to say I didn’t like them, but was probably too young to really appreciate them, with the possible exception Rocky IV (let’s forget V ever happened, ahem).  Stallone is often thought of in the same way as Big Arnie, as all muscles and no substance, but also like him he was able to make an impact despite the brawn (and Arnie has gone on to do very well for himself recently).  Yet to be fair Stallone was more of a proper actor than Arnie ever was and able to hit the big Oscar winning moments that Arnie could only dream of.  He penned the script to the original Rocky and got much acclaim, so this final swansong is more than just to see if anyone cares about Rocky anymore – but also to see if anyone cares about Stallone.

 

So with that I can safely say oh yes on both subjects, because Stallone has approached the material right, considering the length of time it’s been since not only Stallone was a big name but since Rocky was too.  This time Rocky has aged, he’s past his best and even his son is embarrassed of him.  That’s the point here and its all about Rocky the MAN and not really the sport, and about proving to a new audience what he used to be, and what he still has left inside him, however the outcome.  Of course Stallone has changed, and his face looks like a surgeons tapestry of battle scars – but he can act, he can make a scene his own still and he knows how to pen a good story – something for a man many thought was very much past his glory days, has to be applauded.  A treat.

 

Verdict:  4 /5

 

 

The Village  Aug 19 2006  DVD

M. Night Shyamalan’s brand of spooky mystery films have hit a bit of a cord with film fans in recent years, after the breakthrough success of The Sixth Sense and its gob-smacking ending.  Yet this is also a director who has been labelled the twist man, as every film he has made has had a stunning twist that really pulls the rug out from under the viewer.  His most recent release The Lady In the Water has everything else to make it a M Night Shyamalan film, but shockingly minus any twist.  Thankfully though, this movie is not like that, as we follow the tale of a group of villagers in turn-of-the-century America, heaped in superstition and mythology about creatures in the woods, dangerous colours and secretive ‘elders’ headed by William Hurt. 

 

Latest Hollywood poster boy Joaquin Phoenix heads a great cast that also includes a rather under-used Sigourney Weaver, but the real stand out is new comer Bryce, who playing a blind girl holds the film’s mystery and uncertainty together right though to a startling conclusion.  You see, the villagers seem to fear weird red cloaked creatures lurking in the woods, and need special permission to ever venture out of bound the ‘the towns’, of which the elders more often than not refuse - until one of the villagers is hurt and then they realise they must face whatever is in the woods if they are to ever get help.  This is a well acted and gripping movie, which although a little weird in places, has enough good moments and great acting to see you through.

 

Verdict:  3 /5
 
 

Walk the Line  July 29 2006  DVD

Biopic’s can be quite an infectious prospect.  To tell the story of a legendary icon has always been easy fodder for Hollywood, but capturing what made said icon a legend is a little bit harder.  Now whether or not you consider country / rock ‘n’ roll star Johnny Cash as important a name as say, Elvis Presley is really down to your own taste, but for me, someone not familiar with the singer / song writer, I was able to approach this film with a pretty open mind. 

 

Gladiator star Joaquin Phoenix is incredibly powerful as the troubled ‘Cash, battling his love for Reese Witherspoon’s country starlet June Carter whilst struggling with a rocky marriage and a growing drug dependency – and really brings home the tragic nature of the man himself, or at least I expect he does.  Both Phoenix & Witherspoon impress also with their singing talent and their chemistry with the burgeoning sexual tension between the two wholly believable.  Add to this some great songs and first rate direction from James Mangold, and a good story well told is what you have, and it cracks along at a good pace too.

 

From this and past triumphs in the aforementioned Gladiator not to mention Signs, its clear Joaquin Phoenix is now a true Hollywood player.  It’s going to be interesting just seeing what he does next.  I was surprised though to discover Reese Witherspoon walked away with the Oscar when she is very much in the shadow of Phoenix (who was also nominated).  That’s not to say that the increasingly impressive Witherspoon isn’t on fine form, I just thought Phoenix’s role was the better of the two.

 

Verdict:  3.5 /5 

 

 

Flight 93  July 16 2006  DVD

This Fox Television one off was recently released on DVD and is the spiritual brother of the more well known big-screen United 93.  Based on the same true story, that of the ill-fated passenger airline flight 93 that was one of four planes taken over by terrorists on September 11 2002, this tells the heart-breaking story of the passengers and their families throughout the terrible events that took place.  With emotional and powerful performances from an unknown cast, mixed in with actual news footage from the day in question – for me this was one of the most disturbing and hard to watch pieces of film I have ever sat through.  Nobody can deny the controversy surrounding the telling of such a story – but its also one that should be told, no matter how much you have read or seen on TV.  Such terrible things happen, and they can’t go dismissed to the history archives, when there’s people out there like the ones responsible for this film that know how to lay down the facts with no glamorisation or fictionalising. 

 

I was a little bit disappointed that the film didn’t shed any new light and focused entirely on the hijacking and not the aftermath of the crash or the build up (much).  It lacked a bit of detail considering everything else that happened on that day, and made the film feel like it was trying to traumatise the viewer rather than inform.  Difficult film but worthy viewing all the same.

 

Verdict:  3 /5

 

 

Lady Vengeance  May 08 2006  DVD

Korean director Chan-Wook Park first reached international acclaim with his award winning and highly acclaimed thriller Old Boy, then the second part of what was to become known as ‘The Vengeance Trilogy’.  With the first part, Sympathy for Mr Venageance rightly regarded by critics as a classic, and a film I think complements Old Boy for sheer, unadulterated atmosphere and disturbing brilliance, I was excited to be sitting down to view the final act of this stomach-churning saga.  Lady Vengeance tells the story of a woman imprisoned for thirteen years for the kidnapping and murder of a child.  Naturally I lacked sympathy for her at first, as anyone might, but it soon transpires she was never actually responsible for the murder and was wrongly imprisoned, giving her ample time to plot revenge.  This emotional tale, played superbly by Yeong-ae Lee, an actress of considerable talent who is shown as a bitter and twisted 33 years old and as a naïve 20 year old, pulling both performances off convincingly, and carries the film well.  Surrounded her are familiar faces from the other two films in the trilogy, and also Chan-Wook Park’s mesmerising, complex story telling style, using beautiful camera work, orchestral music and a song so heart breaking that some scenes are almost too much. 

 

In comparison to the other films, this is probably gentler in tone, with little of the violence of Old Boy or Mr Vengeance, but still has the power to disturb in some terribly nasty scenes that most viewers will find difficult to sit through.  Yet if you can handle it, you’re in for one of the most powerful and rewarding films of this year, or any year.

 

Verdict:  5 /5

 

 

Crash  April 08 2006  DVD

Very much heralded at Oscar time as being the best movie of the year, this intelligent and powerful ensemble drama follows the lives of several different groups of people, all living under the fear and paranoia of racial tension in modern day Los Angeles.  This fascinating and well observed study of prejudice is clever enough to never give you a straight answer to the problem, and expresses its view point in various ways from various perspectives.  The film shows the way people can miss-judge a situation just because the way people are stereo-typed by their colour or their background, how a racist cop can take advantage of a respectable black couple and molest the woman during a routine traffic stop, or how a good natured Cop bitter about his involvement can find himself resorting to the same prejudices after picking up a hitch-hiking black guy, and also how a down on his luck store owner thinks the answer to all his problems can be found by purchasing a hand gun. 

 

This at first confusing film comes together wonderfully as the mixture of characters all seem to have some sort of impact on one another’s lives, and the picture you are presented with at the end is heartbreaking.  Top acting honours go to Matt Dillon, who at first seems like a one-note racist but through events he doesn’t see coming, is changed – and also Don Cheadle as a Police Detective who looks after his mother whilst ignoring the fact his estranged brother is living a very different and more reckless life  Thandie Newton is also particularly impressive as a woman in a relationship on the edge of break-up whose encounter with Matt Dillon’s Cop forces her to face her own demons.  At times the film can hammer its point home a little to well, resulting in a feeling of being preached at, and Sandra Bullock’s character as a disgruntled victim of a car-jacking is too annoying to find much sympathy for (the moment she slips and falls down the stairs is almost a relief), yet the characters on a whole are complex, memorable and offer interesting perspectives on the film’s theme and the camera work, pacing and style are all very well done.  A deserved Best Picture winner at this year’s Academy Awards.

 

Verdict:  5 /5
 
 
 

The Constant Gardener  March 29 2006  DVD

A complex, Oscar-nominated drama following the story of an English diplomat who falls for a troublesome rights-activist, only to become involved in a murder mystery.  This beautifully filmed, mostly Africa-set conspiracy movie kept me glued throughout with a good story, a heart-breaking performance from Ralph Fiennes and an excellent turn from Rachel Weisz.  I especially liked the way the film kept flashing back, despite you knowing that the female protagonist was dead, and showed what she was involved in whilst in the present you followed her lover’s dangerous mission to find out exactly what happened.  The Africa scenes involving villagers and bandits were powerful and convincing, filmed with a realism that reminded me of real-life news footage.  Like a few people I know, I hesitated in seeing this, because the title did nothing for me, but I know how good Ralph Fiennes can be with the right material (The English Patient) yet unlike that film, this doesn’t drag and is a more tightly woven experience that still retains an epic feel.

 

Verdict:  4 /5

 

 

Sympathy for Mr. Vengeance  February 11 2006  DVD

Korean director Park Chan-Wook’s Old Boy was in my opinion one of the best films I’d seen last year – moving away from much of what Korea and the far eastern film makers normally put out, namely gun-crazy action flicks or wire-enhanced kung fu, this rather unusual thriller was like a breath of fresh air.  Forming the second part of the director’s now famed Vengeance Trilogy (the final instalment Lady Vengeance is to be released on DVD this year some time…) I wanted to catch up with the first, acclaimed film as soon as possible.

 

Following the story of a deaf & dumb factory worker who’s sister is ill and in desperate need of a kidney transplant, we see the lead character go to terrible lengths to save her life, first by dealing with black market organ traffickers, then conspiring with his girlfriend who may or may not be in league with a terrorist faction.  But things soon go pair shaped, and he has to resort to brutal vengeance after pissing off a businessman whose young daughter he kidnaps in order to raise some money for the operation.  This is a dark and unsettling film, with some very nasty violence that will probably leave a bad taste in your mouth, and as the story progresses, like me you will probably be shocked at what happens – this is definitely not family viewing.  Unlike Old Boy its not really a thriller, there’s little music and even very little dialogue, but the atmosphere and how the lead character’s deaf & dumb state is portrayed through clever camera work and use of sound is startling, and the acting on all levels is excellent.  So to close, this is a worthy film to stand proudly alongside Old Boy and to some extent is probably more powerful and emotional an experience – if you can last through to the end.

 

Verdict:  4 /5

 

 

A Very Long Engagement  February 10 2006  DVD  (re-evaluated 05.03.2006)

Amelie was probably one of the most enjoyable, complex and eye-catching French films I had ever seen when I caught it on TV one Christmas.  Elfin actress Audrey Tautou lit up the screen in a quirky and likeable performance in a film that mixed fantasy and romance in a funny and enchanting feel good storyline.  Director Jean-Pierre Jeunet had previously delivered his brand of stylish Tim Burton-inspired noir to Hollywood with the forgettable Alien: Resurrection, but its obvious from Amelie and now this more epic film where he’s best suited.

 

Audrey Tautou plays Mathilde, a girl struck by Polio when she was young and inflicted with a lame leg, who’s romance with a childhood friend is given the ultimate test when he is sent off to war, and even more so when news reaches her that he may have been killed in action.  Unable to accept the news, she sets off on a journey to discover what really happened to her fiancé in the hope of some day finding him alive.  Jean-Pierre Jeunet weaves a detailed, emotional and at times funny World Ward One epic with beautiful cinematography (something he has become known for) and battle scenes up there with Saving Private Ryan, and delivers a film of Hollywood scale and production values whilst retaining an emotional depth only found in French cinema.  This multi-layered film has so much to look at, listen to and read (naturally it’s subtitled, and with a lot of dialogue your concentration needs to be good), and such rich characters and situations, one viewing is only half the experience.

 

Verdict:  4 /5   

 

 

Munich  January 31 2006  Cinema

Based on the horrendous true story of a terrorist attack at the 1972 Olympics, namely ‘black September’, this gritty and detailed movie follows the story of a government agent working for Israeli intelligence who alongside a four-man team is sent to track down and assassinate 11 terrorist leaders.  Naturally in light of real-world atrocities the story portrayed here was hammered home all to well.  This pacey and gripping movie from directing legend Steven Spielberg casts big thing waiting to happen Eric Banner (Incredible Hulk / Troy) as the reluctant leader of the top-secret mission who delivers a heart breaking performance of a man in terrible circumstances with everything to loose.  He is backed up by a perfectly sleazy Geoffrey Rush, a nice break-through performance by Mathieu Kassovitz (co-star of acclaimed French film Amelie) and a solid turn from future bond Daniel Craig.  Yet the real star here is the story itself, part fictionalised, part true and thoroughly fascinating, shocking, powerful and exhilarating at the same time.  Expertly directed by Spielberg proving him to be a jack of all trades and master of, well the whole shebang – which is no mean feat this day and age, and many a film maker could learn allot from this obviously gifted storyteller.

 

Verdict:  5 /5

 

Wild At Heart  December 14  2005  DVD

David Lynch is one of the strangest and most talked about directors around, what with his unhinged brand of suburban paranoia made famous with hit TV series Twin Peaks, or his work as a director, artist and furniture designer (!).  His style of surreal film making can both grip and alienate the audience, depending heavily on whether or not you get what the director is doing.  Some have tried to understand and pick apart his work, yet even Lynch himself gives little or no explanation, even though what goes on in this man’s mind is gods own private mystery.  Nick Cage stars as violent Elvis-styled bad boy Sailor Ripley, and Laura Dern is his sexy squeeze Lula, and together they go on a road trip that is tinged with hellish characters, deeply perverse imagery and references to the Wizard Of Oz.  To describe a Lynch film would take more than a review – it’s a cocktail of images, sound and ideas, some straight forward, some just plain nuts, but all totally entertaining.  This I think this is one of Lynch’s best films, mainly because it is easier to follow than much of his other work, yet still feels like something only he could make.  Special mention must go to Dianne Ladd as Lula’s twisted mother and also Willem Defoe in one of his craziest roles.  Cage & Dern also make a fantastic couple, and their chemistry is both convincing and sexy as hell.

 

The DVD is presented in a nice case, and the extras, with a decent making of, analyses of several scenes and several interviews make this a good package, even if a David Lynch commentary would have been brilliant.  Sadly, as the director has often said, that is unlikely to happen.

 

Verdict:  4 /5

 

 

Gladiator  Special Extended Edition  October 01 2005  DVD

In 2000 famed director Ridley Scott threw his hand into the epic genre (for the second time) with what has gone on to become his masterpiece.  After the success of Alien, Blade Runner and (ahem) G.I. Jane this somewhat hit and miss movie heavy weight crafted what many believe to not only be his best film, but the finest historical epic ever made (yes, even beating Ben Hur or Spartacus).  With an emotion-heavy story and a stunning, career defining performance from Russell Crowe, combined with Ridley’s eye for grandeur, few could have doubted the film he would finally unleash on the world.  What makes Gladiator work in a way that even Mel Gibson’s Braveheart couldn’t reach, is the totally convincing and heart-rending story of one man’s quest not for vengeance but to return home, to his wife and child and ultimately to turn his back on the blood soaked world that had become him.  With this Russell Crowe is totally believable as a warrior who is a human being first and a soldier very much second.  Supported by such talent as Richard Harris, Derek Jacobi and yes, even Oliver Reed in his last (and easily finest) screen role, the show is unquestionably nearly stolen by a break out performance from Joaquin Phoenix, who is becoming one of the best in the business (I also liked him in Signs). 

 

What surprised me the most is, despite not really favouring these often overblown historical films, this one grabbed me for its story, its stunning look (with a mouth wateringly realistic re-creation of Rome in all its glory) and above all else the story, that I guess has made this film the favourite that it is, and for many years will continue to be, thoroughly worthy of classic status, something we only seem to give old films.  Few modern movies can be thought of so highly (perhaps Lord of the Rings), but that doesn’t mean we can’t make exceptions.

 

The DVD here is presented beautifully in a fold out case where we are greeted by three shiny DVDs, the first housing the film along with a commentary, the second disc having a near three hour documentary that sheds tons of exhaustive facts on the making, and a final disk with even more stuff to plough through – gulp.  Additionally there is also a small booklet and the movie is in exceptional anamorphic wide screen with stunning 5.1 sound (especially when listened through a surround system).  Just getting through the film feels like an achievement (in a good way) at two hours and forty minutes (now with 12 minutes additional footage) that never seems drawn out or boring, and as a person who only saw the first version a long time ago – I failed to notice any glaring changes.   It all seemed to gel perfectly.

 

Overall then if you haven’t seen this one – see it without hesitation.  It’s got enough action, blood and style to take your breath away but with a story so emotional and gripping you wont be able to tare your eyes off the screen.

 

Verdict:  5 /5

 

 

Eternal Sunshine of the Spotless Mind  September 13 2005  DVD

Surreal is a genre all in itself really.  Pioneered (at least in a successful way) by David Lynch, it makes a film feel like a dream (and more often than not, a nightmare).  Here we have a Jim Carrey film that has little or nothing to do with his slap stick comedy routes.  Written by unique screenwriter Charlie Kaufman (Adaptation) this tells the strange story of a guy who meets a girl (an infectious Kate Winslet) as their at first perfect relationship spirals out of control, until Kate takes the bizarre route of having Jim erased from her memory.  Shocked to discover this, Jim proceeds to have the same treatment done to erase Kate, and so sets the tone of this very unusual and highly original film.  Most of it takes place inside Jim’s mind (an understandably crazy place to be) and we are treated to some clever special effects that show his memories gradually falling apart as he struggles to cling on to what little memory of Kate he still has left.

 

Jim Carrey fans will find this one closer in style to The Truman Show and just as effective, as this tells an age old story of love and loss in a way I have never seen before.  Quite brilliant.

 

Verdict:  4 /5 

 

 

Spun  September 11 2005  DVD

Some American indie flicks can really possess something special.  Usually you’ll have some home grown talent, stripped of all that Hollywood glamour, and more often than not, a gritty storyline a little more daring than what you’d ever find in the mainstream.  This fast paced druggy yarn, following a day in the life of some looser who I can’t be bothered giving a name to, as he scores, treats people like shit (most alarmingly his girlfriend) and mixes it up with similarly hopeless individuals.  What impressed with this film was the unique way it conveyed the ‘stoned’ or ‘high’ feeling a druggy might have, and this came over convincingly with some rapid editing techniques that made me think of Oliver Stone’s surreal satire Natural Born Killers.  Mickey Rourke lends excellent support as a drug pusher known simply as ‘The Cook’, and the ever sexy Britney Murphy is as wacky and off the wall as ever – never a bad thing.  The big problem really was that the whole film didn’t seem to go anywhere, and the characters on a whole were unlikeable.  In the end, I just was hoping for something closer to Trainspotting, of which this film shouldn’t even be mentioned in the same sentence (oops).  On a plus side, it had quite a bit of nudity.

 

Verdict:  2 /5

 

 

Once Upon A Time In America  August 19 & 21 2005  DVD

Gangster movies are my weakness.  I’ve seen more than a few, and the lure of the gangland saga has always been an overly tempting one, which is understandable I’m sure you’ll agree when the genre has spawned such classics as The Godfather, Goodfellas and of course this, Sergio Leone’s 1984 masterpiece.  This was a film I had watched parts of when catching it by accident on late night television, and always thought it was a good yarn with great characters and a timeless story of young friends who become mobsters, something that has been ripped off in many films in later years (Brad Pitt starrer Sleepers comes to mind…), yet I had never really watched it in its entirety to be able to give a proper verdict – until now.  I feel privileged at this time, having also recently sat through The Godfather and coming away suitably impressed, and the same should be said for this, admittedly much broader-scale picture.  The DVD itself comes on two discs, but instead of the second disc just being bonus material, this epic (and I mean epic) film is split over both discs, and has a running time nearing four hours (gulp). 

 

Following the story of an ageing mobster (Robert DeNiro in another expertly crafted role to rank among his best) as he returns to the streets where he grew up.  He reflects on his life, spanning events from nearly fifty years.  We see his humble beginnings as a teenager hoodlum who gradually teams up with a gang of likely lads, and watch them climb the criminal ladder, until in later years they are tough gangsters who don’t batter an eye at murder, robbery or even rape.  Yet the focus of the film is the friendship between DeNiro’s character ‘Noodles’ and the much more scheming, overly ambitious character of ‘Max’ played superbly by  James Woods.  From the outset, this volatile partnership looks set to boil over any second, yet it is not until Noodles is forced to betray his friend that things really explode. 

 

Beautifully and iconically shot and with a timeless atmosphere that harks back to the magic of Frank Capra (It’s A Wonderful Life); this at times powerful, gutsy mob melodrama is filled with great moments, Oscar-worthy acting (including a wonderful Jennifer Connelly in her debut), great locations and a brilliant story.  When I was watching it I felt like I had discovered something special, a land mark in cinematic entertainment, a film that should be talked about and remembered.  Yet also, this film feels unfamiliar, its legacy not as well known as that of the Godfather movies or even the work of Martin Scorsese – and that I feel is a shame, because this is easily one of the finest, most well constructed and fascinating films I have ever seen.

 

The DVD as mentioned spans two discs, and the picture quality is sharp and full of detail.  We also get a feature length commentary by a film critic, which proves an invaluable insight into the film’s making, and on the second disc we get a brief documentary on Sergio Leone as well as a photo gallery.

 

Verdict:  5 /5

 

 

The Godfather  August 11 2005  DVD

I don’t know why I have never gotten around to watching this film, probably the most acclaimed gangster flick in known cinematic history.  Maybe I felt I had seen it all with the remarkable Goodfellas, or that perhaps, it wasn’t as good as I had heard – I didn’t want to be disappointed.  I did manage to see Part 3 of this saga a while back, and recall enjoying it, but nothing more – maybe that didn’t help matters.  Yet if you know your stuff, you’ll also know that Part 3 was pretty much a critical and commercial disaster, and some believe an after thought on the part of series director Francis Ford Coppella.  Taking that information into hand, I had promised myself I would see this much celebrated classic in its entirety – one day. 

 

Although lacking the rapid fire pace of Scorsese’s film, this still kept me interested with its now legendary performance of Marlon Brando as Don Corleone, a show stopping effort much satirised over the years, and despite its impact being wilted these days, I couldn’t deny his screen presence.  Add to this a truly gripping story of close family, gangland violence and near-biblical stylings, showing mafia life the way it really was, and probably will never be again.  Watching how Al Pacino’s character of Michael Corleone is gradually drawn into his family’s life of crime, despite at first being a celebrated war hero who wanted to distance himself from all that his Father stood for, is quite chilling, and a subtle but convincing performance from Dianne Keaton hammers this feeling home all the more powerfully, especially in the closing scenes.

 

One thing that of course had put me off when I was younger was the epic running time, which by today’s standards doesn’t seem much of a big deal now (its just over 2hrs 45 minutes), and the film doesn’t drag either as we follow stand out moment after stand out moment (although the much talked about horses head scene didn’t blow me away, like I had anticipated).

 

So there we have it.  Granted the film looks a little old now, but the cast list speaks for itself and combined with Coppella’s first-rate direction, keeps this one at the forefront of crime thriller movie making.  A belter.

 

As far as the DVD goes, it’s a bare bones disc with just a commentary for added value (yet it is by Francis Ford Coppola, so that is still something), yet the packaging is excellent with a Corleone family tree fold out poster and several art cards as well as a nicely done case.  The film itself looks like it could have done with some cleaning up as far as the picture, although the sound is excellent in 5.1 surround, not that the surround channels were ever their in the first place.

 

Verdict:  4 /5 

 

 

Goodfellas: Two Disc S.E.  July 22  DVD

‘Ever since I can remember, I always wanted to be a Gangster’ - and so begins Martin Scorsese’s acclaimed 1991 epic (in story if not in running time), following the real life story of gangland ‘hood Henry Hill and his violent associates.  I have loved this film ever since seeing it for the first time only a few years ago on TV, and regard it as probably the finest gangster flick ever made (although in all honesty I need to brush up on my Godfather knowledge some time soon, as I’ve only ever sat through Part 3).  Ray Liotta is perfect in the always on-edge Henry (sign posted by his often nervous laughter when something bad threatens to take place, and normally does), but this film is really all the work of Scorsese and screen writer / author Nicolas Pillegi, with close input from the real Henry Hill (who adds much weight to one of two feature length commentaries).  Looking back on this fast-paced, information-packed and immensely quotable movie, in the advent of the much more glossier Casino, it goes to show the legend Scorsese is (and in respect of The Aviator – still is), but without the support of an excellent Robert DeNiro as Jimmy ‘the gent’ Conway and the tour-de-force that is Joe Pesci as the psychotically unhinged Tommy, this may have been a very different film.  In the end, this is a movie that stands the test of time and even in years to come, will be and deserves to be remembered as a masterpiece.

 

Verdict:  5 /5
 

Finding Neverland  July 09  DVD

Johnny Depp is quite possibly one of the most versatile and likeable actors working in films today.  With roles as diverse as Edward Scissorhands to Captain Jack Sparrow in Pirates of the Caribbean, he has consistently charmed and enchanted audiences the world over.  I was admittedly nervous of his appearance in a blockbuster pirate movie, as mainstream movies had never really been his forte, but as long as he still takes chances with weighty, interesting roles like that of celebrated author J. M. Barrie here, then hopefully the lure of Hollywood will never get too tempting and ruin what a classic actor he really is.  As the writer of Peter Pan Depp is in comfortable shoes, in a family-friendly, quirky performance that seems so him it’s unmistakable.  His role as the imagination filled writer is well played out with excellent support from the ever-dependable Kate Winslet (where has she been of late?) and a wealth of recognisable faces amongst an equally decent crop of child actors.  Thankfully the film keeps the right side of schmaltz, and is never too sickly sweet, of which must have been a difficult temptation, I’m sure.  The idea to fully show off Barrie’s musings with superbly crafted fantasy sequences helps bring an otherwise slow moving and at times overly gentle film into something much more palatable for even those weaned on much more energetic movies.  The story feels a little old hat, despite its true trappings, and seems to lack some bite, but overall this is an enjoyable and eye-opening film especially if you’ve had even the slightest interest in the background of the boy who never grew up.

 

Verdict:  3 /5
 

My Summer of Love  July 08 2005  DVD

After watching the similarly themed Thirteen, this rebellious school girl drama attracted me, especially after a wealth of critical acclaim.  It follows the story of a teenage girl living with her born again Christian Brother in a small Yorkshire mining village.  She befriends an upper class boarding school girl who’s returned home for the summer, and this sparks an intense friendship that soon graduates into a sexual relationship, constantly threatening to spiral out of control.  Natalie Press as the red haired, fiery lead is impressive in a very believable performance of a girl reaching out and trying to find some kind of meaning.  Recognisable Paddy Considine (Dead Man’s Shoes, In America) lends weighty support as the brother struggling with his own personal demons whilst trying to watch over his sister, and Rachel Blunt is excellent as the complex rich bitch who obviously hides her own secrets.  This well made and absorbing drama pulled me into its realistic world (all the more real for its recognisable locales and TV-like approach to the cinematography), but although it didn’t quite have the guts of the aforementioned Thirteen, this still worked on pretty much every level.

 

Verdict:  4 /5
 

The Aviator  Feb 15 2005  Cinema

The true story of one of America’s greatest pioneers, film maker and Aviator Howard Hughes, is given the lush epic treatment by one of the few directors truly up to the task, namely Martin Scorsese.  As a long time fan of this brilliant film maker, I try to see any new film by him at the cinema.  This is where his epic vision belongs, and with this lavish biopic, ol’ Marty seems to have really excelled himself.  Collaborating once again with his new DeNiro, Leonardo Decaprio, this is a powerful, exciting and deeply interesting story of a man who despite a growing mental disorder and more nay sayers than at a Tony Blair press conference, still managed to deliver on his often outlandish promises.  I was enthralled from beginning to butt-numbing end (it has a running time of just under three hours), watching all of this great man’s highs and lows, brushes with insanity and massive success.  It’s one of those stories where you just can’t help but route for the hero, and when you consider this guy actually lived, it gives the overall power of Decaprio’s amazing performance, all the more credibility.  With a list of superb films as a long as his arm, it’s hard to say whether this is Scorsese’s best film yet – but it could be.  It’s certainly Decaprio’s finest acting moment so far, and he is quickly becoming one of the best in the business, and like DeNiro before him, is learning from a true master.  Roll on Oscar night….

 

Verdict:  5 /5

 

 

Manhattan  Jan 01 2005  DVD (part of ‘The Woody Allen Collection’)

Sharing many similarities to Annie Hall in its basic concept, this whimsical, charming drama focuses again on relationships in the backdrop of New York City, but this time feels more classic in tone, mostly down to the excellent use of black and white film and iconic imagery. Woody again stars with Diane Keaton to name just a small percentage of the ensemble cast, and this time it’s more of a straight forward look at relationships, without any of the direct to camera monologues or surreal flashbacks.  Different but no less brilliant, even if it doesn’t quite have the same gag factor.

 

Verdict:  4 /5

 

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